
Discover two add9 upper‑structure voicings for dominant chords and practical ways to use them over 7b9 harmony.
This lesson demonstrates how to combine a minor add9 built on the flat‑2 and a major add9 built on the flat‑6 to create lines and comping options for dominant (7b9) chords. Step‑by‑step examples show how to approach the root, connect to the flat‑6, and blend both upper structures into melodic and accompanimental patterns. You’ll see concrete fingerings and variations to apply immediately to solos or comping. A PDF with the lesson material is available to members for quick reference.
