
Study Wynton Kelly’s Blues Line #3 with focused breakdowns of voicings, bebop approaches, and practice suggestions.
This lesson dissects a Wynton Kelly blues line, highlighting his use of three- and four-note voicings, fourth-based spacing, and outlining of altered dominant chords like G7b9. You’ll learn how Kelly employs double chromatic approaches, arpeggio-based bebop lines, and how passing tones turn simple eighth-note runs into dynamic 16th-note passages. Includes guidance for practicing with call-and-response and solo backing tracks and suggestions to write and test your own solos.
