
Learn an advanced reharmonization that turns m7b5 into a dominant with a #11 using an upper‑structure triad and chromatic parallel voice‑leading.
This lesson demonstrates Trick 10: using a major triad on the b7 of a minor7b5 as an upper‑structure and reharmonizing a ii–V via chromatic parallel voice leading. You’ll see a specific closed voicing (E° left / D major right) and a simple three‑note half‑step shift that creates an Eb7(#11) dominant color. The tutorial also suggests creative ways to move these voicings across the keyboard for interesting textures, and discusses resolution options and sub‑V interpretations.
