
Ten practical runs and arpeggio patterns you can drop into solos and solo-piano textures across common jazz harmony.
This lesson demonstrates 10 distinct runs and arpeggio ideas — from quartal stacks and whole-tone splits to pentatonic substructures, altered quartals, and sus4 shapes — and shows where to use each over typical chords. Each example includes hand voicings, inversions, and suggestions for voicing placement so you can apply them directly to dominant, major, minor, and altered contexts. Play-along variations and rhythm/additive approaches are suggested to help you practice and personalize the patterns. A PDF with notated examples is provided for members.
