
Apply pentatonic substructures to soloing over Herbie Hancock’s Sunrisa, turning scale fragments into practical melodic building blocks.
Learn how to extract and use two-, three- and four-note substructures from pentatonic scales to craft lines over the opening chords of Herbie Hancock’s Sunrisa. The lesson shows how to pick compatible pentatonics (for example C, G, or D minor pentatonic over Ebmaj7/G treated as Lydian) and how to target tensions using chord-scale thinking. Two approaches are demonstrated: mapping full pentatonics to the chord scale, and directly selecting substructures as flexible melodic units. Practice strategies focus on accumulating reliable building blocks you can recall instantly while improvising.
