
Analysis and practical exercises showing how Debussy’s pentatonic-based harmony can inform improvisation and voicings.
This lesson analyzes Debussy’s La fille aux cheveux de lin to extract five pentatonic-based harmonic concepts and practical voicing ideas. It demonstrates using the pentatonic as the source for creating modal colors, tonicizations, and chromatic mediant shifts, and includes exercises for building tetratonic voicings and Lydian ♭7 dominants. Useful for pianists and improvisers who want to translate classical textures into modern reharmonization and soloing strategies.